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‘Jana Nayagan’ bids adieu: Inside ‘Thalapathy’ Vijay’s farewell film

With ‘Jana Nayagan’ set to release soon, Vijay bids goodbye to cinema, triggering heartbreak and nostalgia among fans and the Tamil cinema fraternity

‘Jana Nayagan’ bids adieu: Inside ‘Thalapathy’ Vijay’s farewell film

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With his upcoming release ‘Jana Nayagan’, Vijay bids goodbye to cinema, triggering heartbreak and nostalgia among fans and the Tamil cinema fraternity

Updated - July 15, 2026 03:56 pm IST

‘Thalapathy’ Vijay in ‘Jana Nayagan’ | Photo Credit: Special Arrangement

“For the fans who gave up everything for me, I’m giving up cinema itself.” These words of Tamil superstar Vijay – fondly known as ‘Thalapathy’ to his fans – rang through Malaysia’s packed Bukit Jalil Stadium a week ago, during the recent audio launch of Jana Nayagan.

The release of any Vijay film is special in Tamil Nadu, thanks to his popularity. But Jana Nayagan, set to hit screens soon, is extra special — with this swansong, the star is bidding goodbye to films after plunging full-time into politics with his party, Tamilaga Vettri Kazhagam.

For millions of Vijay fans across the globe, this release marks the climax of a rollercoaster of emotions. “Only after I heard him speak at the audio launch, and the umpteen fan edits that followed, did it hit me that we will no longer have such celebrations at the theatres,” says an emotional Vicky Vijay, a Salem-based auditor and ardent fan of the actor.

Vijay in stills from ‘Jana Nayagan’

In 2026, Vijay is looking at new beginnings in a new arena.

‘Jana Nayagan’ gets a release date: CM Vijay’s swansong film to finally hit the big screen

In the 1980s and 90s, the once scrawny and self-effacing actor made a quiet entry into a power-packed Tamil film industry, ruled by the likes of Rajinikanth and Kamal Haasan. Vijay had backing — he was the son of popular director SA Chandrasekhar — but his choice of roles, screen presence and penchant for action and dance was what quickly made him a force to reckon with.

With 2003’s Thirumalai, the romance-drama hero in Vijay made a career-defining turn towards the action entertainer genre, which reached its peak with 2004’s Ghilli, a marquee film that would sow the seeds of superstardom, 2005’s Thirupaachi, and 2007’s Pokkiri. How 2012’s Thuppakkilit the box office on fire was an early sign of what was to follow — ‘Ilayathalapathy’ became ‘Thalapathy’ — a frenzy fuelled by his neck-and-neck competition with Ajith Kumar. Along with the latter, Vijay emerged as one of the biggest superstars of the industry. With movies that consistently hit the bullseye, he soon became a box office powerhouse.

Vijay in a still from ‘Jana Nayagan’ | Photo Credit: Special Arrangement

No other superstar in Tamil enjoys the kind of youth following that Vijay has amassed over the decades. In his boy-next-door charm, millions of Tamil youth saw themselves — every classroom has a child who has emulated Vijay’s kerchief-flipping demeanour, ‘punch’ dialogues, and costumes. He became a messiah of middle-class youth, motivating them with songs, dialogues and his famous ‘Kutty Stories’ at audio launches, urging them to walk with their heads held high.

“We will miss him on the big screen,” Archana Kalpathi said during the release of The Greatest of All Time, Vijay’s previous film. Archana has had multiple links with Vijay’s work over the years; first as a fan, which she became after watching Kadhalukku Mariyadhai (1997) in school. Then, as a theatre owner — Archana is the CEO of AGS Cinemas, a leading multiplex chain — and a producer, having bankrolled projects like Bigil and GOAT. “From an exhibitor’s point of view, his film is one tentpole release in a year that helps us tide over three bad months at the box office. His one film has a guaranteed opening and collection. The revenue that we get from his film is what we use to deal with our slower months. It will be a big vacuum, and it will be hard to fill,” she says.

These are indeed big shoes to fill. Srither S, secretary, Tamil Nadu Theatre Owners Association, distributor and exhibitor, says that there will be a great loss in revenue. “In the last six years, except for 2025,” — only the second calendar year since 1992 to not see a Vijay film — “Vijay has had at least one film every year. And on average, his film would account for 20-23% of the total gross revenue from theatres that year. So his retirement is definitely a huge loss for distributors and exhibitors.”

“If we felt his absence in a year like 2025, then imagine how great a loss his retirement would cause,” says Vishnu Kamal, owner of Kamala Cinemas in Vadapalani. “It’s a huge loss; in a year like 2023, we had two Vijay films (Varisuand Leo) among the top five highest-grossing films. In 2024, again, GOAT took the top spot, and as far as Kamala Cinemas is concerned, the re-release of Ghillicame second, thanks to tremendous footfalls. So he’s a major contributor,” adds Vishnu, stating that a prime reason for this is that audiences from all age groups come to theatres to watch a Vijay film.

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